Arty McFarty
Sep. 7th, 2018 08:57 pmThis week I went on a three morning workshop in Colchester to learn the basics of watercolours. There were only four of us, and it was interesting to see how different everyone's styles were, and the different levels ot experience and abilities. Anyhow, I had fun and I think this one was more useful than the other one day workshop I did a while back, as this tutor spent more time on how to use different brushes, plus I liked her approach working with a single colour to really show how much variety you can get in adding more or less water. Simple stuff but that was exactly what I needed.
Herewith a picspam of my three mornings.
We started with the 4 different brushes and testing their mark making, then went onto the single colour landscapes.

Burnt sienna turns out quite nice, even on weirdly regular textured paper like this.

John Constable, eat yer heart out, here's my Willy Lott's Cottage, Dedham.

Just three colours used - French ultramarine, transparent yellow and burnt sienna.
This one's actually my fave - I just love the colours, especially the plums. We were only supposed to be using two colours, but my plum had this lovely golden glow amongst the purples, so I used cadmium red and transparent yellow, as well as the alizarin crimson and Prussian blue.

Then the last morning we went back to landscapes, and did river estuary for the big skies (which the scanner lost because it's too bright) and then some French cottages in a single colour and a big broad brush.

Making us use the one big brush was good for me, it stopped me fiddling too much, plus I like the brush marks. I must try all these techniques again before I forget everything!

Today it was back to digital for my second
spn_reversebang art, but I've also done an experimental watercolour background and left it to dry upstairs. Maybe I can get some use out of it for something.
Herewith a picspam of my three mornings.
We started with the 4 different brushes and testing their mark making, then went onto the single colour landscapes.

Burnt sienna turns out quite nice, even on weirdly regular textured paper like this.

John Constable, eat yer heart out, here's my Willy Lott's Cottage, Dedham.

Just three colours used - French ultramarine, transparent yellow and burnt sienna.
This one's actually my fave - I just love the colours, especially the plums. We were only supposed to be using two colours, but my plum had this lovely golden glow amongst the purples, so I used cadmium red and transparent yellow, as well as the alizarin crimson and Prussian blue.

Then the last morning we went back to landscapes, and did river estuary for the big skies (which the scanner lost because it's too bright) and then some French cottages in a single colour and a big broad brush.

Making us use the one big brush was good for me, it stopped me fiddling too much, plus I like the brush marks. I must try all these techniques again before I forget everything!

Today it was back to digital for my second
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Date: 2018-09-08 01:22 am (UTC)Watercolors are *hard*, but so rewarding. Every time I've tried them I manage to surprise myself with an effect I didn't intend, but which works.
I should practice more. But you--both cottages are wonderful, and I love the *roundness* of the fruit! I think my favorite, though is the horizon line and cattails.
Gorgeous!
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Date: 2018-09-08 10:51 am (UTC)And thank you!
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Date: 2018-09-08 02:43 pm (UTC)"Bullrushes" or "cattails," I love that piece!
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Date: 2018-09-09 06:45 pm (UTC)Thank you!
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Date: 2018-09-10 12:27 am (UTC)I didn't know you had Colchester connections - small world, huh.
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Date: 2018-09-10 02:28 am (UTC)Yes, my uncle moved to a village near Maldon - my aunt and 2 of my cousins still live there and another of my cousins lives in Woodbridge. Uncle Jim was a teacher so he'd take his 5 boys on holiday in the summer for 2 weeks and we'd house sit for them, which meant chickens, cats, guinea pigs and a big garden with vegetables and fruit trees. It was heaven for us London girls! And we often went to Colchester to the shops, the Castle and the zoo.
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Date: 2018-09-09 11:46 pm (UTC)I've always struggled with watercolours, mainly, I think, because I'm a pastel specialist and the two techniques are so radically different. Also as a medium they don't particularly inspire me. I have occasionally seen some brilliant watercolour work, but on the whole, I find them a bit wishy-washy and bland.
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Date: 2018-10-01 11:52 am (UTC)I especially like the "reserve" of white being the light on the sea in the last seascape, and the way all the shadows are working in the last one: all very consistent and yet a bit differents, as the various walls and roof aren't the same color to start with!
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Date: 2018-10-01 01:07 pm (UTC)